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Times Interview Headlines
Tony King: local legend
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Times Interview
The Times Interview - Nik Brown, Explain Yourself to PJ Taylor
Monday, 07 May 2007
• Howick and Pakuranga Times
A memorable sight at the last night of Th’ Dudes-Hello Sailor-Hammond Gamble national tour triumph in Rocktober was David Gapes viewing the stage action from the balcony, front row centre. Colin Hogg was a couple of seats away.
Down the years, the charismatic journalists have contributed greatly to Auckland and NZ’s music scene. It was especially appropriate that Gapes had the best view in a heaving St James Theatre.
For if it wasn’t for him and the brave efforts of enthusiastic young people in the 1960s wanting to change and challenge established social conventions, who knows what kind of a cultural backwater this country would have been? Gapes and mates wanted to play rock n’ roll to the masses on the radio.
They took to the high seas launching legendary pirate station
Radio Hauraki
, effectively forcing deregulation. Private radio became a reality and competitor to the public networks.
Hauraki
turned 40 in November and afternoon classic DJ that rocks, Nik Brown, was in the middle of yearlong celebrations, even taking to the tour road with the Kiwi music legends.
Th’ Dudes reformation came out of the blue. Was it suggested early on as a great way to really mark
Hauraki’s
40th birthday? How did the band get back together?
I’ve been lucky enough to have met and worked with Peter Urlich, doing a Saturday night show for
Mai FM
, and, over the years have interviewed Dave Dobbyn a number of times. Both of them have been keen to get Th’ Dudes back together for some time, but had said it would have to be the whole band. Luckily enough they were still all upright. I guess
Hauraki’s
40th was the right catalyst, but most of the credit would have to go to promoter Brent Eccles [former Space Waltz, Citizen Band drummer] for setting the wheels in motion.
Did the full tour line-up effectively pick itself?
To be honest, we were talking about the
Hauraki
40th concert as a one-off and were looking for iconic Kiwi artists. Hello Sailor and Hammond Gamble have such heritage with
Hauraki
from the ’70s - they were first choices. Split Enz would have been great, but they had just finished the Aussie reunion tour. Then came the suggestion of Th’ Dudes reforming and that was it!
How was the tour? How were the bands received?
For me it was incredible, like being 17 again. Hello Sailor was my first live outdoor gig in Hamilton. Hammond and Street Talk, Th’ Dudes, were my introduction to Kiwi rock’n’roll. Now I was on tour with them! The first night in Whangerei was great. I watched the rehearsals and sound check, but on the night everyone was so much better. The crowd was fantastic, really setting a great tone for the tour.
There are a lot of legendary party people in that line-up. And time does catch up, but did they adopt a ‘one more time’ attitude on the road?
That was talked about, but I think a case of ‘older and wiser’ prevailed. I think with Th’ Dudes, it had been a while and some of the guys were in completely different circumstances this time round. It was a case of a bunch of guys that know where the boundaries are and have probably remembered the consequences involved, so they know how to keep the balance.
Another fine memory from the final show encores was Th’ Dudes, Hello Sailor and Hammond jamming superbly to Lou Reed’s
Sweet Jane
. The irony is that song was a favourite jam for just about every Auckland band rehearsing in a suburban garage during the 1970s and 1980s. What are your favourite musical highlights from the tour?
Th’ Dudes -
That Look in Your Eyes
, every night a winner. Hammond Gamble –
Midnight
, different every night and also the jam at the St James doing
Crossroads
. Brilliant. Hello Sailor -
Billy Bold
, and like you say,
Sweet Jane
, better than Lou Reed!
Hauraki sits on a saturated radio dial in Auckland. We’ve heard it said there are more stations per head of population than in any other city in the world. How competitive is Auckland’s radio market nowadays? How is Hauraki doing, considering it is year 41?
The trick is to pick your niche. Being part of The Radio Network group of stations allows
Hauraki
to concentrate on classic rock, without having to worry about the latest releases and fashion. It also gives the listeners a sense of familiarity. They know what they’re getting. So in terms of serving our listeners and playing our part in The Radio Network,
Hauraki’s
doing all right, thank you very much.
For November’s birthday celebrations, the station assembled many of its popular DJs from the past. How was it getting all of them together again?
That was taken care of by Chris Prouse and the guys that organised the 40th put together the display at the Maritime Museum. It was an honour to be part of it.
You’ve had a long successful run in radio, working at different stations. How did you get into radio and where have you worked?
I’m lucky, as I wanted to work in radio since I was 10. I started DJ-ing part-time for a mobile DJ service in Hamilton, saw an advert in the paper that said, do you want to be a DJ… went to the local radio station and auditioned. I failed. A couple of years later there was another ad, I applied, and ended up getting work on
Tonic Time
at Waikato Hospital and Contact at Waikato University. When I auditioned for
Radio NZ
(as it was), I was invited to go on a training course in Wellington. From there I was network newsreader and did the all-nighter out of Wellington. Then got sent to
3ZM
in Christchurch. From there,
1ZM
in Auckland on the all-nighter, ended up on breakfast with Clint Brown. When
1ZM
became
Classic Hits
, I did the big OE for two years. Came back, got weekend work on
Classic Hits
, got offered a job at
Hauraki
, ended up producing The Morning Pirates in 1991. Stint in Wellington at
Windy
as programme director. Back to Auckland and basically floated for any station that would have me. One weekend I did
Kool 93
,
Hauraki
,
91FM
and
Radio I
. Was filling in on
Mai FM
when I was asked to be producer for the breakfast show with Robert Rakete. Did that for eight great years, my longest job ever. Reaching that ‘certain age’, when I was asked if I wanted to join
Hauraki
, I jumped at the chance. It’s like coming home. The real danger is that one day I’ll have to get a real job!
You’re also the voice of Mt Smart on Vodafone Warriors game day. Tell us about your passion for league and the NZ Warriors.
To be honest, it was just a job for the first couple of weeks. Then I started to learn about the game and appreciate it. The thing I love most are the fans. That’s what got me passionate for the game. Everyone I meet to do with league just loves the game, it’s infectious.
There’s a genuine sense of optimism surrounding the Warriors this year. How do you see it?
It’s been coming for a while, as any fan will tell you. In previous years there has always been something to pop up and derail the plan. But this year there’s just the game. Ivan Cleary has got the players where they are comfortable and performing well as a team. I say it every year, ‘we are going to the finals’, but this year, we really are going to the finals. All the way. Go the Vodafone Warriors!
Nik Brown fact file:
Born:
Rainham, Kent, England.
Grew up:
In England until 10, then Whitikahu, just outside Hamilton in the mighty Waikato.
Schools:
Erm… Fairfield College was the last one.
Favourite bands:
Van Halen, Th’ Dudes, Hello Sailor, U2, Rolling Stones, Snow Patrol, Travis, The Funk Brothers (Motown House Band), AC/DC, OutKast.
Best musicians:
Dave Dobbyn, Jimi Hendrix, Elton John (early days), Dave Bridgman and Neil Finn.
All-time top songs:
Standing on Top of the World (Van Halen), Tears of a Clown (Smokey Robinson and the Miracles), One (U2).
The greatest songwriters:
Any song that touches anyone in someway is great, so is the writer.
Best league players seen:
NRL stars Brad Fittler, Andrew Johns, Stacey Jones, Ruben Wiki and Anthony Minochello.